Comparison Of Perugino And Caravaggio :: essays research papers

The artists of the Baroque had a remarkably different behavior than artists of the Renaissance due to their different show up to form, home, and composition. This extreme differentiation in style resulted in a precise different treatment of archives. Perhaps this drastic stylistic difference amongst the Renaissance and Baroque in their treatment of form, space, and composition and how these characteristics effect the narrative of a painting cannot be seen more than in comparing Peruginos Christ Delivering the Keys of the Kingdom to St. Peter from the Early Renaissance to Caravaggios renascence of St. Paul from the Baroque.Perugino was one of the greatest masters of the Early Renaissance whose style ischaracterized by the Renaissance ideals of purity, simplicity, and exceptional symmetry of composition. His approach to form in Christ Delivering the Keys of the Kingdom to St.Peter was very linear. He outlined all the figures with a black line giving them a sense of stability, p ermanence, and power in their environment, but restricting the figures sense of run intoment. In fact, the figures seem to not move at all, but rather ar merely locked at a specific moment in time by their rigid outline. Peruginos approach to the figuresthemselves is extremely humanistic and unspotted. He shines light on the figures in a clear, even way, keeping with the rational and uncluttered meaning of the work. His figures are all locked in a contrapposto pose engaging in understanding conversation with their neighbor, giving a strong sense of classical rationality. The figures are repeated over and over such as this to convey a rational response and to show the viewer clarity. Peruginos approach to space was also very rational and simple. He organizes space along trine simple planes foreground, middle ground, and background. Christ and Saint Peter occupy the condense foreground and solemn choruses of saints and citizens occupy the rest of the foreground. The middle dist ance is fill up with miscellaneous figures, which complement the front group, emphasizing its density and order, by their divide arrangement. Buildings from the Renaissance and triumphal arches from Roman antiquity occupy the background, reinforcing the overall classical message to the painting even though the event represented in the painting took place long before the Roman Empire. The center synagogue that occupies the background has a vanishing point running through its doorway and if it werent for this illusionistic technique, the painting would be very two-dimensional.