Zaha M. Hadid Essay -- Art Architecture Papers

Zaha M. Hadid Gravity-defying, fragmentary and revolutionary are a few of the terminology used to describe Zaha Hadids architectural designs. The Iraqi-born, London-based architect has stirred up recurring controversy with her designs that defy a label in the Modern vs. Post-Modern architectural debate. In the past 15 years, she has g champion from unknown student to architectures untested diva as the title of the January 1996 architectural DigestUs profile suggested. Her work has been sure as a significant contribution to architecture and her style is one that other architects now emulate.These characteristics might serve to qualify her under Howard Gardners translation of creativity. The creative individual is a person who regularly solves problems, fashions products, or defines sensitive questions in a domain in a way that is ab initio considered novel but that ultimately becomes accepted in a peculiar(a) cultural setting. (Gardner 1993) Many issues that Gardner writes abo ut in Creating Minds are applicable to a discussion of Hadids career. By examining her creativity in the visual/spatial intelligence, I will attempt to conclude whether Gardners model of multiple intelligence is relevant to the current era and domain of architecture in Zaha Hadids case.CHILDHOODZaha Hadid was raise in a liberal, open-minded family which allowed her to explore new ways of doing things and weigh critically. She was born in Baghdad, Iraq in 1950 to aristocratic parents. Hadids father played an historic role in her creative development. He exposed her to many diametric cultures while always stressing the importance of her heritage. He demonstrated this through his studies at the London School of Economics and participation in the fight... ...). Architectures Only Diva. Harpers fair 125, 337, 190-225Giovannini, Joseph. (1996). Architectures New Diva Makes an internationalist Scene Architectural Digest 53,1, 26-35 good-bye Theory, Hello Practice (1997). Building De sign Miller Freeman publishing Company. 9/19/97, 20Gowan, James ed. (1975) A Continuing sample Learning and Teaching at the Architectural Association London Architectural PressHadid, Zaha M. (1995). Interview with Yoshio Futagawa. Global Architecture 03, 12-20Levene, Richard and Fernando Marquez Cecilia. Interview with Zaha Hadid. El Croquis 52Popham, Peter. (1996) A Model Architect Zaha Hadids Radical Plan for the Cardiff Opera House has Brought her International Fame. Why, then, has it been Rejected? The Independent (London). 2/11/96 Vine, Richard. (1995). Futuristic Baroque. artistic production in America 83, 7, 34-40